Thistles in Collodion

When life gives you thistles - why make a collodion wet plate? I made a series of 5x7" tintypes and Ambrotypes (images on glass) yesterday and am so pleased with how the images turned out! I harvested a variety of plants in the morning for still life images but stuck with the thistles all day. Sometimes you get in the "zone" and time fades away and things just flow. Before I knew it dinner time was approaching. So I shut down image capture and set up varnishing my day's production. Like all my plates, this set was preserved with traditional…

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Fall is Cattail Season – Wet Plate Collodion
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Fall is Cattail Season – Wet Plate Collodion

Fall is cattail season! Here is a wet plate collodion still life of some cattails I found by my home. This plate was more for practice than for "keeping". I am learning how to manage colder temperatures. The cold has an impact on the chemicals used for wet plate. Mainly everything takes longer. Longer exposure (more light) and longer development times. One of the appealing parts of this process is the randomness. You never can be sure how things will turn out until you actually shoot a plate. That makes it surprising and gives a satisfaction to the finished product.…

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Character is Power

Character is Power - a cyanotype. This 9in x12in cyanotype is meant as a Christmas present (and a few copies will be offered for sale). I am not sure where I first encountered this drawing and it was certainly many years ago. I have an earlier cyanotype version hanging on my office wall and I find it to be filled with meaning and inspiration. I though I should find the original author and ensure I was not infringing copyright to offer my cyan interpretation. I spent a lot of time digging and finally found the original author. The drawing is…

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Collodion Orchids on Stained Glass

Part of the fun with wet plate collodion is experimentation. Here is a plate of collodion orchids on stained glass. There is a lot of challenges to shooting on stained glass. But the final image is so beautiful! The first challenge is getting the exposure correct - just a matter of trial and error (which takes a lot of time). Next is developing the plate. Development is most challenging because the glass makes the image look less intense than on clear glass. The development process is done under red "safe" light and the blue glass looks strange. This plate could…

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Waxing Alternative Prints

Waxing alternative prints to protect them is a critical step in my production process. I use archival quality paper and methods to make the prints last beyond a lifetime and the final step is just another layer of protection. There are two types of prints here, salt prints and cyanotypes. Let's talk about cyanotypes first. The deep blue colors of cyanotypes are from ferrous (iron) ions in a 2+ oxidation state. This "Prussian Blue" dye is caused by sunlight and the interesting thing is that if cyanotypes ever "fade" they can be regenerated by putting thin in the sun for…

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Ibanez Artist – Happy Birthday

Happy birthday to my Ibanez Artist Electric Guitar! She turned 40 this year. Here is a salt print of my favorite guitar. She has a lot of mileage and the wear and tear to prove it. However, she is just as sweet to play now as when I picked her up 39 years ago. I was the 2nd owner. My acquisition will remain private to protect innocent parties in my long forgotten past. Her body is a sunburst maple with gold plated hardware. She is an AR300 model but has the tail of the AR 305. Not sure how that…

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Death Valley – Salt Print

A salt print of a panorama from Death Valley, California. Death Valley is one of the most beautiful places I have ever visited. Around every corner is something new and different. Maybe when God finished the world he had a bunch of spare parts (I always do when I work on a project). So He just dumped some of them here!

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Cyanotype Portrait

Cyanotype prints can also make compelling portraits! Blue is not the first color one would choose for humans and human skin - except maybe at an awesome cosplay convention! But in the palette of monochrome colors the blue of cyanotype can be most interesting. Here is a portrait of one of my favorite people in the entire world. She is beautiful inside and out and has so many layers of thoughts! Here is a close up - those eyes and expression hold a world of mystery! In Your Eyes I see the doorway to a thousand churches! Want to see…

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Asylum Point Lighthouse Salt Print

Asylum Point Lighthouse - a Salt Print. Warm Summer days are a perfect time to make salt prints of Winter scenes. This 35mm film photography was made last Winter. Asylum Point Lighthouse is on a small island on Lake Winnebago, just North of Oshkosh. The point is named after the Northern Asylum for the Insane which once stood on the grounds of the park. There are also 244 unmarked graves on the site! This is an 8x10" print and is one of a set of three available for purchase - Prints For Sale Back to the Blog

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Ambrotype Self Portrait

Testing my lighting setup with a self portrait. This is an Ambrotype - a wet plate collodion on glass. All of my glass is recycled - I use the glass from old windows. If you are going to use an "antique" photography process why not use antique glass? Pretty happy with the lighting - uniform and a good exposure. I need to work on the eye focus as I missed a little bit. It is not easy setting up, pulling the lens cap off, moving into position and then hitting the flash. But I will do better next time. Here…

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Peonies in Silver

Here is a 6x6" tintype wet plate image of peonies. This photograph captures so many things that are the essence of a traditional photographic processes. These trademarks include: Narrow Depth of Focus: Antique lenses were designed to gather as much light as possible. Traditional photography methods are less sensitive to light than modern sensors so you needed a lot of light to create images. The consequence of high light gathering power is much less of the image is in focus (narrow focus). Our eyes operate in a similar way and our eyes see the world with only parts in focus.Long…

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Death Valley – Salt Print

It was a great day for producing salt prints! Sunny and not too many clouds. I think late August must have great UV light because I made four really beautiful prints. The original is a picture from a trip to Death Valley, California, a few years ago. A father and son outing and we had a magical time. I have literally hundreds of great shots and could spend years making prints. Well, there is always tomorrow! Click to go back to the Blog Want to own one of my timeless traditional prints? Click here to see all my Prints for…

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