Collodion Tintype Portrait in The Summer

Summer is for outdoor collodion tintype portraits! I am so blessed that I have friends who are willing to pose for practice sessions. A good friend braved the Summer heat to pose for an outdoor practice plate. This is an 8x10 inch tintype made with the collodion process. They say the practice makes perfect. But I don't think that is true. What I think is practice + reflection + adjustment puts you on the path to "good". You have to reflect on the result and think about what worked and what could be improved on. Then make a change and…

Continue Reading

Speedotron Capacitor Safety

The capacitors used in a Speedotron flash power pack are powerful and potentially dangerous if not cared for properly. This is especially true when the unit has not been used for a long time. There is a simple way to reform the capacitors after extended down time which ensures they are safe and fully functional. Every day is like Christmas, at least it is when you believe! I am building up my wet plate kit and the newest member is a wonderful Speedotron 4803 power pack. My current pack is a 2403 which can deliver a mighty 2400ws of flash…

Continue Reading

Collodion Portrait Session FAQ

So you booked your portrait session.. Awesome - I am so excited! So let's chat about important collodion portrait session FAQ (Frequently Asked Questions). Collodion sessions are a little bit different from digital photo sessions. The mood is slower paced and much more relaxed. We only produce a small number of images so it pays to plan things out in advance. Collodion is also a one-of-a-kind image process so there is always a bit of randomness to the final image. Of course, the surprise is just part of the fun. So here are some frequently asked questions.. How do I…

Continue Reading

Thistles in Collodion

When life gives you thistles - why make a collodion wet plate? I made a series of 5x7" tintypes and Ambrotypes (images on glass) yesterday and am so pleased with how the images turned out! I harvested a variety of plants in the morning for still life images but stuck with the thistles all day. Sometimes you get in the "zone" and time fades away and things just flow. Before I knew it dinner time was approaching. So I shut down image capture and set up varnishing my day's production. Like all my plates, this set was preserved with traditional…

Continue Reading
Fall is Cattail Season – Wet Plate Collodion
ascsadcsd

Fall is Cattail Season – Wet Plate Collodion

Fall is cattail season! Here is a wet plate collodion still life of some cattails I found by my home. This plate was more for practice than for "keeping". I am learning how to manage colder temperatures. The cold has an impact on the chemicals used for wet plate. Mainly everything takes longer. Longer exposure (more light) and longer development times. One of the appealing parts of this process is the randomness. You never can be sure how things will turn out until you actually shoot a plate. That makes it surprising and gives a satisfaction to the finished product.…

Continue Reading

Collodion Orchids on Stained Glass

Part of the fun with wet plate collodion is experimentation. Here is a plate of collodion orchids on stained glass. There is a lot of challenges to shooting on stained glass. But the final image is so beautiful! The first challenge is getting the exposure correct - just a matter of trial and error (which takes a lot of time). Next is developing the plate. Development is most challenging because the glass makes the image look less intense than on clear glass. The development process is done under red "safe" light and the blue glass looks strange. This plate could…

Continue Reading

Ambrotype Self Portrait

Testing my lighting setup with a self portrait. This is an Ambrotype - a wet plate collodion on glass. All of my glass is recycled - I use the glass from old windows. If you are going to use an "antique" photography process why not use antique glass? Pretty happy with the lighting - uniform and a good exposure. I need to work on the eye focus as I missed a little bit. It is not easy setting up, pulling the lens cap off, moving into position and then hitting the flash. But I will do better next time. Here…

Continue Reading

Peonies in Silver

Here is a 6x6" tintype wet plate image of peonies. This photograph captures so many things that are the essence of a traditional photographic processes. These trademarks include: Narrow Depth of Focus: Antique lenses were designed to gather as much light as possible. Traditional photography methods are less sensitive to light than modern sensors so you needed a lot of light to create images. The consequence of high light gathering power is much less of the image is in focus (narrow focus). Our eyes operate in a similar way and our eyes see the world with only parts in focus.Long…

Continue Reading
Close Menu