Tintype Wall

One of the problems with being a wet plate collodion tintype photographer is all the plates start to stack up! You end up with a big pile of plates waiting for mounting or display. I started on my backlog this week and did some experimentation on mounting systems. For these plates I decided to drill a couple of tiny holes at the top and hang them with a chain. The best part is the chain slips off so the plate can be mounted in a frame. The holes won't show or will not be noticeable. The removable chain also lets…

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Location Wet Plate Photography

Wet Plate collodion session using my mobile darkroom. The darkroom allows me to do portrait sessions throughout Wisconsin and Upper Michigan. This session was on a state trail near Neenah. Just capturing some 8x10 inch landscape tintypes for sale on my Etsy site Here is a nice picture of my Intrepid 8x10 inch large format camera. Intrepid is a UK based company that manufactures large format cameras and accessories. I use vintage lenses - over 100 years old. But I opted to have a new camera built for my business. Nothing wrong with an old camera but I wanted to…

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Asylum Point Magic

She came from the west, bringing hot weather, humidity and maybe a bit of magic. We met at Asylum Point - once the site of the Northern Asylum for the Insane. A little north is the modern Winnebago Mental Health Institute. The asylum point lighthouse was built in 1937 and still provides a beacon for boaters on Lake Winnebago. The old and strange art of wet plate collodion (Tintype) photography is also shrouded in mystery. One day the spirits align and perfect images appear as if by magic. On other days, things conspires against you and every exposure becomes a…

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How did I get so Busy?

How did I get so busy? Leaving the corporate world behind and becoming a full time artist was suppose to open up all kinds of time. Time to create, time to build, time to experiment and time for my family. But somehow, the work has expanded to fill the hours until I am more busy (and more physically tired) than I have been in years. In a way it feels like when we had our children in the house. Every day was a whirlwind of activity and it seemed like you just got up but it is actually time for…

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Cyanotype Greetings

The cyanotype process can be used to make a wide variety of art objects. Here is a set of prints that my wife made into greeting cards. What I like is the different tones possible with the process. These range from lighter blue to very dark, almost black, blue. The subject matter ranges from a tiny dandelion to a massive oak tree. These cards will be part of my Summer art show offerings. We will be at several shows this Summer around Wisconsin and I want to have a wide range of art work. This includes a wide range of…

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Waves of Cyanotypes

Sometimes cyanotypes come in waves! This set of prints was made from images of waves on the Fox River in Appleton. The rains last week plus the melting snow resulted in massive waves in the rapids. This is the first set of prints from this outing. I have 3 or 4 more images that should make excellent prints. If you look closely you will see variations in each print. Each print is indeed unique based on the sunlight during exposure, how I coat and sensitize the paper and variations in washing/development. I also did some experiments with my chemistry for…

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Duotone Cyanotype

Time for an experiment! This is a cyanotype of a skunk cabbage flower. I used a duotone technique which produces two different colors. Cyanotypes are typically (or should I say naturally) blue. But you can modify the color by treating the print after it dries. The most common is to tone with tannin to give a brown or even black color - I use coffee or tea. You can also bleach the print with sodium carbonate. This gives a more pale color from gold to yellow. This print was made by first separating the negative into two color layers. The…

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Skis for Sale – Salt Print Set

I have not had time to work on my darkroom. But the printing business is good. Here is one of a set of salt prints of skis for sale in an antique shop. Total run of 4 prints. The original is a 35mm film negative that I took in some antique shop a few years ago. I really love this composition. This is an 8x10 inch print, on archival 140lb paper. This is one of four prints I made this weekend - snowing all the time so I had to do something for fun! I used a new (to me)…

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Be Action Oriented

Busy is happy! There is an old saying in the Navy that a busy crew is a happy crew. Seems true to me that the way to be happy and creative is to be action oriented. The more over thinking the less you actually get done. Opportunities come and go and often the window to accomplish something is very small. Yesterday I had an exhausting day job day. When I got home I wanted nothing more than to chill out and relax. But then I remembered a few cyanotype experiments I wanted to do. But the studio was cold and…

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Mobile Darkroom Build

My mobile darkroom build is going very well. The return of Winter weather had slowed things down but sometimes you just have to put your head down and keep on moving forward. So why a trailer? Well, a lot of wet plate photographers use a dark box or small tent. These have the advantage of being portable but they suffer from not being very comfortable to work in. I like space when I am working! While the dark box can be visually pleasing tents are definitely ugly! I also wanted something that gives a sense of occasion to my outings.…

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Ice Boats – Salt Print

Ice boats race across Lake Winnebago Ice. An 8x10in salt print. This print is an experiment with a new coating / sizing formula. I used powdered egg whites for the albumin instead of cracking a bunch of eggs. The powder is a bit less expensive (no wasted yolks) and a lot less work. The coating gives a really nice matte finish to the print, even though it is hard to see in the picture. Residual egg yolks were a big problem back in the heyday of albumin based photography and prints. So the producers came up with a lot of…

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Cyanotype Develop and Fix – Video

Just a short video showing the final steps of my cyanotype process. I usually use sunlight to expose my cyanotypes but it was too cold and dreary outside so I used an LED UV lamp for this print. After exposure the print is taken to a dark room, removed from the printing frame, and washed with tap water. The wash process removed unreacted iron from the dark areas in the negative. This leaved behind the image in Prussian Blue dye. It also renders the image light safe. I usually do 4 rinses in the dark room followed by about 10…

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